Hideki Noda

The Red Demon (Akaoni)

December 6, 2004
Hideki Noda

Hideki Noda

Noda launched his first theater company, Yume no Yuminsha, in 1976 while a student at Tokyo University. He wrote several notable works that propelled him to the fore of the 1980s Shogekijo, winning particular acclaim for his dramatic structures that move between real and mythical worlds with leaps in time and space, as well as his loquacious wordplay and energetic performance style. He disbanded the company in 1992 and went to London to study. On his return in 1993 he established NODA MAP, a production company that creates plays through workshops, and has come up with a succession of major hits. Noda has also taken his theater abroad, performing Akaoni (Red Demon) in Thailand and the U.K. He has continued to experiment enthusiastically with different genres, including adaptations of the well-known Kabuki plays Togitatsu no utare (Revenge on Togitatsu) and Nezumi Kozo (Rat Bandit Kozo), and international collaborations, such as his 2006 play THE BEE , with British actors and international production team. Akaoni won the Grand Prix of the 2004 Asahi Performing Arts Award, and the British coproduction THE BEE, won the Grand Prix of the 2007 Asahi Performing Arts Awards as well as the Yomiuri Theater Awards.

https://www.nodamap.com/

The Red Demon

RED DEMON
(2003 / YOUNG VIC THEATER, UK)
Written and Directed by Hideki Noda
photo by Keith Pattison

Data :
First Performance: 1996
Acts / Scenes: 16
Cast: 4 (3 men, 1 woman)
(Note: 4 performers play over 25 roles.)

This play is about a woman "killed by a bowl of shark’s fin soup."

Three persons, The Woman, her dimwit brother Tombi, and her wannabe seducer, the liar Mizukane, are washed ashore on a distant island. Given some shark fin soup, The Woman claims that it tastes different from the soup she ate out at sea. Later, she commits suicide. From this point on, Tombi doubles as narrator of her story.

One day, Akaoni suddenly appears in the village. A false rumour spreads that The Woman, who is ostracized by the villagers, lured Akaoni to their land. Mizukane tries to seduce the Woman. But when Akaoni is found hiding in her house, he and Tombi are terrified of being devoured. They soon learn that it does not eat human flesh, only flowers.

At night, Akaoni, intending no harm, runs off with a baby. Frantic, the villagers use flowers to trap Akaoni in a cave. Negotiations between the Elder, Mizukane, and The Woman result in a deal: the baby will be returned on the condition that the villagers let Akaoni alone for 7 days.

However as soon as the baby is rescued, the villagers attack the cave. They are stunned by what they see. Akaoni has painted the walls with a paradisiacal landscape. The Woman tells them that the painting is of the land "beyond the sea" and that Akaoni is a god. The villagers decide to keep their promise.

During the truce, The Woman teaches Akaoni her language. Meanwhile, Akaoni and Tombi notice something extraordinary out at sea, but in their excitement forget what exactly they saw. Soon Akaoni is accepted by everyone as a friendly freak, and tourists come to ogle the ogre. The Woman is angry that people treat Akaoni as a spectacle rather than a human being.

Six months later, Tombi remembers what he saw a huge ship. The villagers believe that Akaoni’s friends are on the ship and fearful of an invasion, they put Akaoni and The Woman on trial. As a result, the two are sentenced to death. While awaiting execution, The Woman learns from Akaoni’s cave writings that the demons have always journeyed in search of an ideal land, that Akaoni came to ascertain whether the village was their utopia, and that the ship has already left the local waters on the crew’s assumption that Akaoni was dead.

Mizukane and Tombi help The Woman and Akaoni escape, expecting to be able to join the ship. The four set out in a boat, but discover that the ship has left. Deprived of food, they are in hysterically good spirits as they slowly starve, and Akaoni is the first to die.

The play returns to the opening scene. Rescued, The Woman realizes that the shark fin soup Mizukane gave her at sea when she was faint with hunger was really Akaoni’s flesh. The Woman remembers telling Akaoni, “You are a demon because you eat humans.” But she has learnt instead that "Humans eat demons to survive." In despair she commits suicide.

Tombi winds up his story, saying, "And beyond the sea, at the very bottom, lies my little sister’s heart."

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